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Rachael Baker makes the case for Donna Haraway's ‚Staying with the Trouble‚ (2016).

Maya Hey and Markéta Dolejšová argue that the field of food studies would benefit from speculative fiction.

Catherine Price argues for Carol J. Adams’s 1997 essay, “‘Mad Cow’ Disease and the Animal Industrial Complex.”

Maegan Krajewski makes the case for Robin Wall Kimmerer's "Braiding Sweetgrass" (2013).

Huiying Ng argues for Amitav Ghosh's "The Great Derangement: Climate Change and the Unthinkable" (2016).

Erica Maria Cheung makes the case for "Eating Asian America" (2013), an anthology edited by Robert Ji-Song Ku, Martin F. Manalansan, and Anita Mannur.

Gazel Manuel argues for Zilkia Janer's essay, "(In)edible Nature: New World Food and Coloniality" (2007).

Zenia Malmer makes the case for the textural study of food.

Luis Alexis Rodríguez Cruz argues for “Fishers at Work, Workers at Sea” (2002), written by David Griffith and Manuel Valdés Pizzini.

Alexandra Pelletier argues for Kathryn Asher and Elizabeth Cherry's 2015 article on the social challenge of transitioning to vegetarianism or veganism.

Eleanor Barnett argues for Richard Bernard's 1616 "A Weekes Worke."

Vincenza Ferrara argues for "Measuring Food Deserts via GIS-Based Multicriteria Decision Making" (2017), written by Hassan Mohammadian Mosammam, Mozaffar Sarrafi, Jamileh Tavakoli Nia, and Ali Mohammadian Mosammam.

Morgan Flaherty makes the case for Chapter Two of Bernard Herman's "Town House‚"(2005).

Megan Betz argues for Ross Gay's poetry in "Catalog of Unabashed Gratitude" (2015).

Stacie A. Townsend makes the case for Helena María Viramontes’s 1995 novel, “Under the Feet of Jesus.”

Molly MacVeagh argues for Lauren Michele Jackson’s essay, “The White Lies of Craft Culture” (2017).

Alaina Spencer makes the case for Patricia Allen’s “Together at the Table” (2004).

Zachary Goldberg makes the case for Masanobu Fukuoka's "The One-Straw Revolution" (1978).

Ming Ming Cheung makes the case for Catherine Sinclair's novel, "Holiday House" (1839).

In this multimedia collaboration, Sophia Hagolani-Albov and Megan Resler narrate the view from Helsinki’s “secret gardens.”

Anke Klitzing makes the case for Paul Schmidt's "A Winter Feast" (1990).